There are some straightforward characters in Mozart’s last major opera, The Magic Flute, that correspond to those in real life — my Mother,for example — the real-life Queen of the Night who managed to bewitch just about everyone (but me); my Father, who gave me my first flute; Monostatos, who is a player with the Minnesota Orchestra, and of course, my three children, who are represented as such. The reality, however, may be even more profound than the opera (granted, Wolf didn’t have all the time in the world either) in that the children who save Pamina from despair when Tamino is silent are actually her own children. Filled with fury, the Queen of the Night comes after the children and tries to use them in her machinations, attempting to leave Pamina bereft, and thereby contributing greatly to Pamina’s despair. Monostatos also goes after the children and attempts to enlist them to the Queen’s agenda…
…and so, all that is left for Pamina is the wondrous sound and assurance of die zauberflote…
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