Vortex of the Evil Eye…

When I began writing the draft for what has become “Vienna Mystery” I had a strong conviction that the real story of what happened to Wolfgang Mozart was yet to be revealed.  In all my research — and I have read everything I could find on his life, both in English and German — it became evident to me that there was a mystery of grand proportions around his death and the events that led up to it.  The irreverent movie “Amadeus” skirts around these issues, but in a mocking way — as though to say that there was so much lawlessness around what happened to Wolf that nobody would ever be able to get through it, much less communicate the truth in any manner that was coherent.

Gradually, I came to see that there appeared to be a vortex around Wolf, that consisted of those who flattered him to his face and worked to destroy him behind his back.  They acted in secret and in stealth.  This vortex of ill-intent surrounded Wolf, so that he was unable to see outside of it.  Instead, it seemed that he was dragged further and further down into it.

And then he died.

There was no autopsy.

There was no burial spot.

Those in the vortex expressed shock and dismay.  But then they quickly went about their business.  In at least one case, that involved making money off of Wolf’s music.

At one point I had an insight — that if a person of stature is removed from office, so to speak, that is not simply called a ‘murder’.  It is an assassination.  If this vortex of ill-intent consisted of people who had agreed to Wolf’s demise and then sandbagged him and tricked him until that happened, that would be an assassination that was supposed to remain undetected.

And, in unintended irony, did the dreadful “Amadeus” spill the beans? What if the vortex consisted not simply of Salieri, who is something of a red herring, but of all of those around him?

What if Mozart had been poisoned, not to kill him outright, but in small doses, to try to weaken him, so that he would then succumb to death by ‘natural causes’?

Oh wait — didn’t Wolf even say something to that effect himself?

While I was digging into those revelations, though I did find it curious that some of those around me seemed to find my involvement in research of the assassination of JFK somewhat hilarious, I was blessed with ignorance that something similar had happened to me.

I was systematically poisoned by my birth family.  I think the reason was to weaken me, and, in my case, control me.  I think this sinister treatment was part of a campaign to create a false persona.  I could be wrong.

Perhaps the one remaining member of my birth family can clear that up for me.

 

 

 

 

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On Wolf’s birthday….M4B*

262 years ago today an extraordinary event occurred — the birth of Wolfgang Mozart. I say this because he carried with him an unusual gift — not only supremacy in every area of the music of his time, but an additional gift that made him unique. This is a gift of the Holy Spirit. This gift permeated everything he composed, and affected everything he did. This gift caused him to be the most celebrated musician of his age, and also the most hunted and despised. I believe this gift also caused him to be murdered — assassinated, in fact.

If you are willing to keep an open mind to the fact that most of what you have heard about Wolfgang Mozart is false — a lot of it deliberately so — I can tell you what I really think happened to him and why…as, in this respect, the same thing has been happening to me…

That is, if you are at all interested…

 

*M4B=Mozart for Believers

 

Look to Minnesota in the New Year

When Wolfgang Mozart wrote his last major opera, The Magic Flute, in 1791 he had no knowledge of a place called “Minnesota”. In fact, at that time there was no such place in any formal way, as Minnesota did not become a state until 1859. However, this opera may have turned out to be more than a delightful and exquisite singspiel — it also may contain a prophecy…

Mozart describes a minor character who is simply a blackguard who tries to torture, etc, Pamina. His name is “Monostatos”. Hmm…odd coincidence? It happens to sound not unlike “Minnesota”. Well, in the opera, Monostatos is a rogue to tries to interfere in Pamina’s relationship with her stepfather, Sarastro. Monostatos also ends up trying to assist her wicked mother, the Queen of the Night. A nasty character indeed!

Now let’s turn to another odd coincidence. The Minneapolis Symphony changed its name some time past to be called the Minnesota Orchestra. They did not have to do that. In fact, that seems a rather odd thing to do. But they did.

Then, into the orchestra walks someone who has had a significant influence on the life of my children and me. Someone who, almost literally, crawled out of the woodwork at Orchestra Hall. This person did everything in their power to control our lives. Fortunately this situation did not last forever. What I call the lockout of me by the players occurred at that time. And this person, to my thinking, whose behavior qualifies them in the ranks of “the lowest of the low” can only be called “Monostatos.”

During the 18-month lockout of the MO players I attempted to bring this ironic situation to light, but to no avail. And so, I have let go and moved on. But an inexorable process may still be in place. “Monostatos” is apparently still embedded in their midst. But what may have been intended for ill might instead be working for good…

And all that goodness will take place in Minnesota…:-)

The life of a Mozart…’controllers’…

If you look with discernment at the life of Wolfgang Mozart you will find that there are things that just don’t seem to add up. For one, he was constantly composing and in great demand, and yet he was always beset with serious financial problems. For another, those close to him, his own Father being an excellent example — unfortunately– were extremely disrespectful to him, both in person and behind his back.

What you won’t know, unless you really dig, is that it is entirely possible that Wolf was supposed to have been subject to ‘controllers’ throughout his life. To what end? Well, we need to start with the axiom that he had been given a gift that no other musician had, and that those around him were intent on controlling that gift while trying to keep him ignorant of it. I think just about everyone would agree that Wolf was a people-pleaser. I doubt that most people understand how deep that went, though.

But Wolf made a run for it. He figured out the truth about the extraordinary gift he had been given, at least by what turned out to be the end of his life. He may have sensed where he was headed. He put all of that wisdom and knowledge into his last major opera, Die Zauberflote. That was on September 30, 1791. By November 20th he took to his bed for the last time. He took his last earthly breath on December 5th.

If you go to Vienna to look for graves you will, of course, find none for Wolf. But you will find one for Constanze, and one for his sister Nannerl. At opposite ends of town. Could they have been his controllers? I’ll let you figure that one out on your own…

Please show respect for die zauberflote…and a request for prayers…M4B*

One of the most traumatic aspects of my life with die zauberflote is the realization that man people, some in my family who I love very dearly, have tried to use it for money, against God’s will. I believe this happened to my Father, who nearly died by his own hand. There have been grave consequences to others as well.

As die zauberflote is a gift of the Holy Spirit, this unfortunate reality lines up with the Word. For example, a couple named Ananias and Sephira, in Acts 5, lied about the cost of a parcel of land and presented only a partial tithe. They thought they could cheat God! They died on the spot and were carried out.

During my involvement with the Minnesota Orchestra, it was devastating to see the consequences of some of the players who, in effect, crawled out of the woodwork at Orchestra Hall with ill-intent. One lost his job and died drunk. Another died of a brain tumor. Another suffered a brain tumor but has survived. A third became violently paranoid and schizophrenic. His second wife, also a MO player, was forced to retire due to being unable to handle the loudness of the orchestra.

We are now coming to grips with a beloved family member who is caught up in tragic circumstances that seem unbearable. At one time given a position of influence in Hollywood, they did nothing to help die zauberflote, and, in one case, have, unfortunately, showed me disrespect. This person lost their job due to being unable to tolerate the decibel level at the place where they worked as a sound engineer. This person is so very dear to my heart. They are a child of God and need Jesus, so I ask that all of you who are Believers pray for him and all my children. I believe old doors are being closed and new ones open for him and that he is coming to understand that his circumstances have been engineered by God.

Thank you…

*M4B=Mozart For Believers

A concert with a difference…even for die zauberflote…*M4B

Whenever I perform with die zauberflote I share with the audience a bit about it, so that they are not taken entirely by surprise.  I say that it has a mind of its own, especially when I am improvising.  I will think I’ll be going in one direction and it will want to go in another.  It’s a fairly subtle thing most of the time, but can be a bit disconcerting.  But what I don’t say is that sometimes there is a sort of chatter in the energy of die zauberflote.  It’s hard to describe — again, it is subtle.

Often, when I am rehearsing, I will be aware of chatter.  Usually it seems to be providing information on technique or phrasing.  On occasion there can be a sense of urgency, as though it is giving me a heads-up of some sort. But usually, when it comes time to perform, I am surrounded by a sense of shalom that takes away all concern and care and allows me to focus on the flute itself.  As die zauberflote is a gift of the Holy Spirit it has the attributes of it, including being a spirit of truth and warning us of difficulties ahead.

So, in preparation for this Mall of America concert, which was a combination of Christmas carols, some blues, and some Messiah, I experienced a lot of chatter.  That didn’t surprise me, as endeavoring to do this performance without my wonderful husband Donner was daunting in itself.  Everything seemed different.  Everything would be different.  There was no getting around that.

On the day of the concert I trudged to MOA with my rolling cart containing Donner’s guitar, along with my equipment.  Just looking at it was enough to make me want to cry.  I spoke to the sound guys ahead of time and explained that there were a few songs I did not know if I could get through, and, if I made a throat-cutting motion they should just continue on to the next one.  I was prepared.  I was armed, I thought, for any circumstance.

Except what happened…

At some point during the carols there was an enormous amount of chatter. It was so pronounced I had a tough time not stopping to listen to it.  Two of my friends in the audience commented on it later.  It was like nothing I had experienced before, and certainly not during a performance.  As I kept on going, it seemed as though there might be a voice in the energy.  It was not exactly happy, but a bit grouchy and complaining. At that point I realized that it felt as though Donner’s voice was somehow coming through.  I kept on going, and then the sensation left, and everything else proceeded within the realm of normalcy…

But talk about ‘zauber’…that even had me stumped! 🙂

*M4B=Mozart For Believers

Was Mozart poisoned? *M4B

During the 80’s, the intellectual and musical community went into something of an uproar over the question of whether or not Wolfgang Mozart had been poisoned.  This was largely due, of course, to the outrageous play and then movie, AMADEUS.  Wolf was presented as an irresponsible, narcissistic person, who had a hard time getting along with people, and as a result, suffered a miserable and premature death.  But was it murder?  Did Mozart’s rival at the court, Antonio Salieri, actually poison him?  In AMADEUS, the conspiracy is trolled throughout the movie, but it is never specifically identified.  There is no scene of Salieri offering Wolf  a glass of wine laced with arsenic.  There is no plot devised as to just how this would have taken place.  It is all left up to our imaginations — and just as the movie’s offhand references to a ‘magic flute’ leaves us with only whispers of what might have happened.

When we look a bit deeper into the underlying aspects of AMADEUS we do find, oddly, that Salieri apparently did ‘confess’ to poisoning Wolf late in life.  When Ludwig Beethoven found out about this possibility, however, he jumped to his teacher, Salieri’s, defense.  Even more odd, Wolf himself said that he felt like he was being poisoned with acqua toffana by someone who had estimated the exact time of his death.  That sounds rather like ritual murder, don’t you think?  Wouldn’t researchers go diving headfirst into this possible conspiracy to murder the greatest musician of his day?  But no.  Instead, we find the ‘serious’ historians poo-pooing the idea and chastising anyone who finds anything about it credible.  This is what AMADEUS does.  It belittles even Wolf’s own statements, as well as Salieri’s, so that we are supposed to be left with the thought that poor old Mozart just caught a bad cold or something and died.  Sob, sob…

However, if we look at Mozart’s gift from a Christian perspective, we can open a door that has, until now, remained bolted shut.  If Wolf had an extra gift, an unusual gift, that everyone wanted to steal so nobody would confirm to him, his life takes on a different meaning. If, everywhere he went, he was being sandbagged by people pretending to be friends only to trick him and cheat him of what he had rightfully earned, some of his actions that have not made sense now might. Wolf was excoriated for his sarcasm.  If someone were tricking you, leading you into losing situations, slandering you behind your back, and trying to cause you to end up in the poorhouse, just how would you react?

If Wolf’s unusual gift were a gift of the Holy Spirit, how would that affect his life?  It could only be used in kindness and forgiveness.  It could not be used for personal gain.  It could only point to and honor Jesus.  It could, then, tell him the truth about every situation he was in and protect him from all harm.

Just what connection might this have to Mozart’s being poisoned?  If you knew you had access to a person, say, as a family member, or spouse, who had an unusual gift of which they remained unaware because nobody would confirm it, would you be tempted to try to control it, and use it for own ends?  Might you be tempted to make a way to assure yourself that you would never have to worry about Wolf’s finding out the truth of this gift?  If so, just how might you accomplish this?  One dose of poison to murder him? Or small doses to weaken him and make him vulnerable to being controlled by the one doing the poisoning?  Just some food for thought…

*M4B=Mozart For Believers

 

 

 

 

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