What do I mean by my being ‘locked out’ by the Minnesota Orchestra…

For the first time in almost 200 years the sound of new Mozart — his Zauberflote — was heard on the stage at Orchestra Hall. But it was not heard during a concert, nor was it given a proper introduction. Instead, the man I call “Monostatos” –a bass player –enticed me with the Zauberflote to ‘practice’ on the darkened stage. This priceless sound was heard throughout the building because the sound system was connected to the stage.

And yes, during this time Monostatos was even causing me bodily harm.

Week after week, during the 666 days of our captivity at the hands of Monostatos, I played from the flute and violin repertoire on that darkened stage. To what end? Colleagues of Monostatos literally crawled out of the woodwork, behaving very strangely, to say the least. Everyone in the orchestra knew what was happening. The concertmaster at the time called us “Beauty and the Beast.” But have you heard the slightest bit of excitement about these unusual circumstances? No. The tiniest shred of concern for the panic and trauma my children and I were subjected to? Nothing. Instead, Monostatos and his cadre have done everything in their power to keep all this secret while slandering my credibility.

During the 2012 lockout of the Minnesota Orchestra players, I began to wonder if their being locked out had any connection to their earlier ‘lockout’ of me and the Zauberflote. So I wrote to Mr. Vanska and explained my situation. I pleaded for the Zauberflote to be heard again on that same stage. I did everything I could think of to bring the Zauberflote to the attention of the Minnesota Orchestra Board as well. I felt that this would be an opportunity to resolve both their issues and mine.

But, unfortunately, that did not happen. To this day, those letters have, in fact, gone unanswered…

Update 12.13.20

Well, here we have another lockout — Orchestra Hall is dark once again, and has been since March.  We are approaching the day — December 21 — when Monostatos legally became a part of my family.  It is also his birthday.  Has he, or anyone else, come forward to tell the citizens of this great state the truth of what has been going on? Monostatos and the Minnesota Orchestra have no problem taking funds from public coffers to support them and their projects, and yet they seem equally comfortable concealing the truth of this situation.

I can only hope that the uncommon ‘common people’ — the salt of the earth — will come forward to help this situation come to light.

With best wishes for the season…

Featured post

An as-yet undefined subplot in the opera Die Zauberflote as prophecy…

There are some straightforward characters in Mozart’s last major opera, The Magic Flute, that correspond to those in real life — my Mother,for example — the real-life Queen of the Night who managed to bewitch just about everyone (but me); my Father, who gave me my first flute; Monostatos, who is a player with the Minnesota Orchestra, and of course, my three children, who are represented as such. The reality, however, may be even more profound than the opera (granted, Wolf didn’t have all the time in the world either) in that the children who save Pamina from despair when Tamino is silent are actually her own children. Filled with fury, the Queen of the Night comes after the children and tries to use them in her machinations, attempting to leave Pamina bereft, and thereby contributing greatly to Pamina’s despair. Monostatos also goes after the children and attempts to enlist them to the Queen’s agenda…

…and so, all that is left for Pamina is the wondrous sound and assurance of die zauberflote…

Featured post

Delta Flight

I had my feet up on a couch at JFK, looking at the toes of my Airs

While we waited to see which plane

would take us far away

The hump-backed 747’s were lined up outside

one smaller jet in the middle

We were to fly all night across the sea

to a country that was new to me,

a place I had avoided until now.

Vienna calling, Falco said.

And how.

The UMD singers, my daughter in their midst

my future son-in-law

my younger son came with

as a chaperone, no less

He could out-party all the rest

And so the time dragged by

I squeezed a world-design stress ball

and watched the sky

At last we boarded, and you should see

the face I must have made as we passed by

the giant planes and ended up in a

two-engine miniature

Austrian Airlines, you see,

is run by Delta too…

I settled into a window seat over the wing,

heavy with foreboding

we need at least three engines for the

November turbulence over the

North-Atlantic

Just then the cabin was filled with

another company of youngsters,

A band of cheerleaders from various schools

in uniform

pom-poms slammed into overheads

squealing and yelling far above

the more measured choir tones.

We took off into the night sky

That looks like Long Island, I sigh

Just about over Center Moriches

the plane began to shudder and pitch

We’re in for quite a ride…

For four hours we lunged around the sky

Dames und Herren, you are about to die

I kept hearing in my head

The wings flapped like a bird

I didn’t know they could do that

And with every thunderous settling as we

staggered across the sky

the cheerleaders shrieked and yelled

with voices pitched so high

they could have strangled themselves…

But with each garbled announcement

we climbed a thousand feet

Not one of us stopped to wonder

when we would ever eat

But finally we rose above the fractured waves of air

and saw the lights of parallel flights

we might make it there

after all

The stewards brought mystery meat

which I could not digest the thought of

much less the actuality

I did not have the courage to get up and stretch

so sat numbly the rest of the nine hour ride

We gave a great cheer as we landed in a foggy soup

And as we waited to depart

a Mozart piece tugged at my heart

playing softly through the intercom

A Salzburg piece, a divertimento

pure and sweet

and all at once I knew

this just might be the start of our

historic dream come true.

If only I could find a place to pee!

My daughter guarded the men’s room for me,

We’d seen it first, I could not wait

such was our fate

I heard that piece in my head again today

And wept for all the heartache that has come our way

since then

and also wondered if anyone had really cried

for what happened to Wolfgang Mozart

when he died.

It may be that a Minnegeddon is here

and that we have by now all learned to fear

an unknown judgment from

the evil of those days

A nation he never knew must justify

the way it treated him

And only God can tell

if we are headed into Heaven or to Hell…

The enemy I see…

When we think of Wolfgang Mozart we see a sublime genius of such brilliance that he was hunted down wherever he went. We see a man surrounded by people who was, in fact, immensely alone. We see someone who succumbed to the excitement of the Enlightenment and occult by becoming a Mason, and a man who supposedly mismanaged his money and left a terrible mess for his family. But what we don’t see is that which we are not supposed to know.

Much about Mozart’s life has, in fact, been deliberately concealed. This was done for nefarious reasons — most importantly, money. If the world knew the truth about the gifts that Mozart brought with him into this world, the monetary system of this planet might be changed. Nations rising and falling might be different. War might even become a thing of the past.

But we, the common people — the salt of the earth — are to be kept in the dark by these elitists who hold the dark secret of what happened to Mozart close to their hearts — or what is left of them. They smile at us and then usher us into servitude, while they rule the world. They send out coded hints of disasters to come that throw us into a panic. They laugh at us, because they know and we don’t…

But this Corona pandemic is changing everything. That which was concealed is now being revealed. It is easy for us to accept the possibility that Mozart at some point realized he had to separate himself from those closest to him in order to stay alive as long as he did. He learned that there was danger at every turn, and that smiling faces could conceal an assassin’s vicious intent.

Mozart told us about these things, but nobody listened to him. He said that he felt he was being systematically poisoned by those who had timed the hour of his death. He even named the substance — aqua toffana.

Now, perhaps, everyone will take another look…

But there was a further evil attacking Mozart, more deadly than his closest family and friends. I believe it was a dark angel that guarded this extra gift Mozart had been given that was the reason for his untimely death. This dark angel attacked him and his family members, trying to turn them all into monsters — into assassins. All they had to do was administer one small dose of poison and then stick close to him. Then they could steal this precious gift and use it for themselves. And so, one by one, nearly everyone close to him was compromised.

Did Mozart ever actually see this dark angel? I do not know. But we do know something he did see, which may represent the dark angel in human form — the mysterious visitor who, at the end of his life, enticed him to write his own requium under someone else’s name because he was in such need of money.

This is the hidden theme of the movie Amadeus. The insiders are showing us while concealing the truth what actually happened.

We just need to know how to look…

As the poet and songwriter Bob Dylan said in Slow Train Coming…the enemy I see wears a cloak of decency…

Create a free website or blog at WordPress.com.

Up ↑

%d bloggers like this: